These lines were written dirty fingers. Maybe it's just the impression left pages Homicide and viewing the latest delivery of "The Wire" , not reality. David Simon has the power to find dirt in every corner of the world we inhabit, in every fold of our own body. Journalist, writer, screenwriter and television producer, Simon is a star chef of transmedia storytelling: can develop their ideas in each half giving meaning to each proposal and supporting change. Of course, his argument is essentially the same: despair, defeat. And he keeps in his recent journalistic collaborations, such as the controversial article "Build the wall" , which accurately describes the dark side of the profession contemporary journalism. Newcomer editorial Main published books which was his first novel, "Murder" which was released in 1988 when David Simon was a Baltimore Sun reporter naive hunting for a good story in the Department policiía Homicide of the city. Although the seed crop has diversified into fertile and varied, "Homicide" was the catalyst for an entirely new point of view and different narrative of events, and then in television fiction. In "Homicide" no blood, yes, violence, of course, drugs of all colors, criminals of all levels social and economic. Not for nothing came powered by one of the worst statistics of homicides experienced by Baltimore. But what stands out in this scenario is almost apocalyptic culpability. Those responsible for these terrible data are the traffickers and corrupt politicians, land speculators, banks ineffective, unmotivated cops, handcuffed educators, parents selfish, ambitious journalists, unscrupulous businessmen, judges purchased. The crime splashed all, and the task of preventing and resolving it is a procedemiento that thrives on chaos. "is how the world works" , told the writer to his editor, "or what does not work" .
"Homicide" is the germ of "The Wire", which became cult fiction cathodic on five continents. Home of the books issued in the coming months CORNER, narration transformed years ago in the first round of Simon with the ex-cop Ed Burns. In both, the reader / viewer in need of a classical structure that culminates in a flash narrative will be disappointed, as in life itself. If anything characterizes the stories of Simon is his lack of resolution, its anticlimax. The authors explain very well together in "The Wire. 10 dose of the best TV series, edited by Errata Naturae. With an introduction by the inventor of the series, an unpublished story writer George Pelecanos (one of the writers) and eight succulent texts of English and foreign specialists such as Nick Hornby and Rodrigo Fresán, Guts volume keys not only creation but also lack of echo in the halls of Hollywood and its unqualified success among a devoted that has never crowded.
"The Wire" produced by HBO and as last season just released on DVD in our country, is one of those artistic proposals come to us because their creators do an act of total faith, and do not let overthrow by the incompetence of criticism, counter-programming of the chains, the sudden death of the team leaders, fear of advertisers, and political interests sustained economic war in the dawning day. It has become a subject of study in many universities around the world, and their fans grows exponentially per minute. The writer and screenwriter Richard Price series, whose interesting novel "easy life" was published earlier this year in the English market, "says in the foreword of" Homicide "something that can also be applied to all of Simon's work, including "The Wire": "reveals, with no little irony, how survival tactics in the streets are a reflection of the survival tactics in the hall and how all those involved in war Drug live and die by the numbers: kilos, ounces, grams, pills and benefits for one side, offenses, arrests, percentage of cases solved and budget cuts for the other. is a test from the point of view the realpolitik of a town immersed in a riot in slow motion. " It's the false reality show of a world whose gut defeated Wikileaks're seeing could be added.
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