The new Argentine cinema has given us in recent years some of the best English-language titles . Again comes to our screens a movie that we should not miss "Carancho" by Pablo Trapero. According
Diego Lerer us on the blog micropsia "Carancho is:
... a black police, pure and simple, that does not break the viewer, Carancho us into a situation that is extremely realistic, but imagine the stain of logic and seasonings of the genre, like a dirty version of the American police 70s. It is a film scorseseana (wild Streets Harsh Times, to Taxi Driver) in its combination of traditional and modern styling dash (the "rules" of the genre) and observation of the world (neorealism many).
Carancho is a movie as real as brutal, as near as far (that happens here, every day, near the home of each viewer, but it seems a world away), so daily as sordid. Trapero It shows also a strong narrative and details more traditional staging (pay attention to the amazing amount of sequence shots) remarkable.
Fatalistic, bloody, ruthless (perhaps too much) and violent Carancho joins the tradition of the police is doing Ricardo Darin. And maybe this is the toughest of them all, even more than the aura and not talk about the secret of his eyes. His face already has hit this depletion to the world: is as if the actor and the character they were pleading for someone get them out of there, urgently. And that should be Lujan character that Martina Gusman (who signs the film as executive producer), returns to shine as one of the best actresses of Argentine cinema, finding that elusive mixture of innocence and toughness, sympathy and fearlessness.
0 comments:
Post a Comment