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FILM CENTRAL

COMEDY WITH QUARTERLY Daniela Fejerman and Carmen Utrilla
The workshop will explore the keys to comedy face on camera, character composition, reactions, etc pace. Daniela Fejerman is working with two scenes from his working process of reading and analyzing all the relevant actors and director and her later recording, one of which is recorded in natural settings and should be shipped assembled. Carmen Utrilla final session will be a comedy casting.

Dates: January 26 on March 23, 2011 (58 hours)
Hours: Wednesday 10h to 15h + 2 Wednesday 10h to 19h + 1 Sat 10am to 18pm.

CASTING: TRAINING AND TECHNICAL Bilbatua Sara, Carmen Utrilla and Andres Cuenca
advanced practical workshop designed to deepen in the preparation of casting through the recording of scenes with different casting directors.

working 12 sessions in three different casting directors, recording with each of them a scene of drama and a comedy. Each day, recorded 4 scenes, allowing you to work in depth with each participant, fostering a climate that facilitates tension-free knowledge between a performer and director to casting.

Level: Advanced
Dates: 11.12, 18, 19, 25 and 26 February.
11, 12, 18, 19, 25 and March 26
Hours: Friday and Saturday 16h-20h 10h-14h. (48 hours)

TRAINING RUNNING with Chus Gutierrez
practical workshop that provides advanced training to professional actors continued throughout the preparation and shooting sequences in natural scenery under the direction of different filmmakers, in this case by Chus Gutierrez.

Dates: January and February 2011.
Hours: Tuesday, 16-22h (rehearsal and recording sessions)
Tuesday 16 to 20h (analysis and viewing sessions)
Requirements: Selection to interview, photograph and CV.

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Physical Female Doctor

CORTON CRUZ-LOPEZ PRESENTS ITS Videobook

Introducing the videobook of centralera Cruz López-Cortón where we find pictures of your latest work in series like "Sin Tetas no paradise" or "Hospital Central" or movies such as "Women without piano."

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DIOSDADO MIGUEL EN "SHOULDER" AND "THE DUCHESS 2"

Diosdado Miguel (Training to Macarena Pombo) is recording "Bandolier" new fiction Antena3 for desktops, where he plays Lucero de Linares, a bullfighter who seems to be that it is best known for his love affairs for their good work that in the square. The series takes place in the nineteenth century in a village in southern Spain, Arazana and will be released early next año.También this month recorded on the TV-movie "The Duchess 2" where she played the character of Fran Rivera. The TV-movie is directed by Salvador Calvo (Paquirri "Alakrana") and will be released next year in Telecinco.

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ROSA CLARA GARCIA AND ALEXANDRA THEATRE ARNAL IN CHILD ATTENDS NAVIA

Rosa Clara García Teatro Marquina will be on the show for all audiences' Cyrano de Nueva Orleans. "Cyrano de New Orleans is in love with music, life and verse, but above all .... is in love with Roxanne. Will she overcome her fears, complexes and proud to declare his love to Roxanne?

Where? : Teatro Marquina C / Prim, 11

When: From Saturday 18 December to 7 January.

Meanwhile, Alexandra Arnal (Master 2008-09) be in the Fourth Chamber Wall with fun and colorful children's show Go Gift!.

Planet In León, Leonardo did not know what to do ... His daughter, the lioness Anacleta has been put into his head that he wants a very special gift. There are no rides or games, or gifts that are worth. Anacleta not stop to get his father gave him ... A being from another planet! Leonardo, is to devise a plan and teach your child some responsibility ...

Where: Sala Cuarta Pared
When: December 19 12:30 and 17:30 Morning teaching December 2010 and April and May 2011 - 10:30.

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AARON VIDEOCLIPS

Aaron Navia (Master 07-08) presents the music video Algora in which you worked, the song is called 'Lie'. Algora is an American indie this year produced their second album and has garnered rave reviews. Now you can view the video on MTV.



Aaron also is a writer and creative director of another video with Elisa Espinosa centralera also making a cameo appearance.

"This is the fake trailer for a romantic comedy with all the ingredients 'jolibudienses' de rigueur. The film LOVE KNOT calls. A love very matted. Hope you like it because it is a small parody of the world in which we operate. "Said Aaron.

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DOS '40 THE MUSICAL 'BEST IN SHOW AWARDS 2010

40 the Musical has won the award for best show Awards 2010 in Shanghai. We would like to congratulate centraleras two actresses working in the music: Susan Martin (top) and Beatriz Ros (below) .

40 The Musical, in its second season Gran Via, is still the number one billboard. More than 350,000 visitors have already enjoyed this show, which is represented simultaneously in the Movistar Rialto Theatre in Madrid and Barcelona the Victoria Theatre. His argument revolves around a group of friends facing their first challenges of adulthood. Their conflicts, their passions and dreams take the stage with the music of the Top 40 leading protagonist.

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SHANGAY ELENA NAVARRO EN "OUTSTANDING BODY"

The Centralera Elena Navarro presents the short 'Earrings entity ", third part of the film series' Pending'.

is a English comedy, with people settled in Spain in the 70's who live in the same pension, which should leave pushed by the current crisis. Lola, one of the main characters, inherits a house they will move with the rest of the pension.
But all is not easy for them. In his new home will have to live with a housekeeper who will make them believe that the house is haunted. "It's a comedy, our sole purpose is to make people laugh and have a good time with our work," says Cristina Sáez, screenwriter and actress Ente earrings.

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Carlos Pacheco and theater connection Expocómic 2010


One of our most international cartoonists, Carlos Pacheco, is today in Expocómic 16:30 to 17:15 (Palacio de Cristal de la Casa de Campo, Madrid) for delight of his many fans. Creator of "Arrowsmith" and illustrator of "Superman," "Fantastic 4" and "X-Men"-among others classic characters made the leap to the big screen, "Pacheco is a cinéfago confessed he says:" The Cinema as Hitchcock "by François Truffaut should be bedside reading for any comic." Originally from Cadiz and resides in New York by environmental demands , Pacheco has been converted many of its bullets made for Marvel or DC Images and vice versa, and positive values \u200b\u200bthis symbiosis for the world of the cartoon because it returns the contemporary characters who are still great adventures in both media, as such as "Iron Man."

The sequential connections between art and cinema in this year's Expocómic are even more profound. Animation specialist and founder of Trident Animation producer ("El Cid", "Asterix and the Vikings", "Night"), Juan Diaz Canales has won the Best Screenplay Award National Award for "Blacksad 4: hell, silence "(Norma Editorial ), also has won the Best Play Award for National. On the other hand, Juanjo Guarnido, National Best Artist Award and co-author of "Balcksad 4" has worked for years to Disney, for example, as character animator prinicpal Taste in "Tarzan." (If you want the full list of winners, click here ). Both will be signing at the Hall, along with other patriotic and foreign authors of relevance, and Klaus Janson, José Fonollosa, Hermann, Gabor, Jesus Merino, Frank Quitley, Juan Jose Ryp, Victor Santos, Fermín Solís (author of "Buñuel in the labyrinth of the turtles ") or Santiago Sequieros, qur signature lineup of this year. (For a schedule of the guests come here . )

The relationship between comics and film are becoming more open, especially since the assault on the archive Marvel perpertado by Hollywood studios, but there are still fewer connections obvious artistic projects and coincidences that make Expocómic 2010 - to be held from 9 to 12 December in Madrid, in a more than interesting not only for fans of the cartoon but also for many palates cinéfagos. Read / see, for example, "Kick Ass" a magnificent example of transmedia storytelling and the Best Play Award International Exhibition. And a new editorial warm that we enjoy in the show is "Wilson" (Mondadori) , the cult author Daniel Clowes, whose pre cinemetográfica is close by Fox Searchlight Pictures. Clowes has seen two of his works already on the screen, "Ghost World, "" Art School Confidential ", and in this case Alexander Payne will assume the leadership of the audiovisual project.

If you want to expand animation titles and comics: www.ochoymedio.com and write on our search engine: animation.

Expocómic

All about 2010: www.expocomic.com

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The world defeated David Simon

These lines were written dirty fingers. Maybe it's just the impression left pages Homicide and viewing the latest delivery of "The Wire" , not reality. David Simon has the power to find dirt in every corner of the world we inhabit, in every fold of our own body. Journalist, writer, screenwriter and television producer, Simon is a star chef of transmedia storytelling: can develop their ideas in each half giving meaning to each proposal and supporting change. Of course, his argument is essentially the same: despair, defeat. And he keeps in his recent journalistic collaborations, such as the controversial article "Build the wall" , which accurately describes the dark side of the profession contemporary journalism. Newcomer editorial

Main published books which was his first novel, "Murder" which was released in 1988 when David Simon was a Baltimore Sun reporter naive hunting for a good story in the Department policiía Homicide of the city. Although the seed crop has diversified into fertile and varied, "Homicide" was the catalyst for an entirely new point of view and different narrative of events, and then in television fiction. In "Homicide" no blood, yes, violence, of course, drugs of all colors, criminals of all levels social and economic. Not for nothing came powered by one of the worst statistics of homicides experienced by Baltimore. But what stands out in this scenario is almost apocalyptic culpability. Those responsible for these terrible data are the traffickers and corrupt politicians, land speculators, banks ineffective, unmotivated cops, handcuffed educators, parents selfish, ambitious journalists, unscrupulous businessmen, judges purchased. The crime splashed all, and the task of preventing and resolving it is a procedemiento that thrives on chaos. "is how the world works" , told the writer to his editor, "or what does not work" .

"Homicide" is the germ of "The Wire", which became cult fiction cathodic on five continents. Home of the books issued in the coming months CORNER, narration transformed years ago in the first round of Simon with the ex-cop Ed Burns. In both, the reader / viewer in need of a classical structure that culminates in a flash narrative will be disappointed, as in life itself. If anything characterizes the stories of Simon is his lack of resolution, its anticlimax. The authors explain very well together in "The Wire. 10 dose of the best TV series, edited by Errata Naturae. With an introduction by the inventor of the series, an unpublished story writer George Pelecanos (one of the writers) and eight succulent texts of English and foreign specialists such as Nick Hornby and Rodrigo Fresán, Guts volume keys not only creation but also lack of echo in the halls of Hollywood and its unqualified success among a devoted that has never crowded.

"The Wire" produced by HBO and as last season just released on DVD in our country, is one of those artistic proposals come to us because their creators do an act of total faith, and do not let overthrow by the incompetence of criticism, counter-programming of the chains, the sudden death of the team leaders, fear of advertisers, and political interests sustained economic war in the dawning day. It has become a subject of study in many universities around the world, and their fans grows exponentially per minute. The writer and screenwriter Richard Price series, whose interesting novel "easy life" was published earlier this year in the English market, "says in the foreword of" Homicide "something that can also be applied to all of Simon's work, including "The Wire": "reveals, with no little irony, how survival tactics in the streets are a reflection of the survival tactics in the hall and how all those involved in war Drug live and die by the numbers: kilos, ounces, grams, pills and benefits for one side, offenses, arrests, percentage of cases solved and budget cuts for the other. is a test from the point of view the realpolitik of a town immersed in a riot in slow motion. " It's the false reality show of a world whose gut defeated Wikileaks're seeing could be added.

More information: www.ochoymedio.com

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Everything you wanted to see Woody Allen


In tribute to 75 years old New York filmmaker for the past day 1, the English Film Library has scheduled a special cycle with his films: a retrospective with 38 titles so far led by Allen, which will run during the months of December and January.

The projections will be going in chronological order and begins with the plays that shaped the sexual humor of an entire generation - like "Bananas" or "Everything you ever wanted to know about sex but were afraid to ask " - to continue with their famous stories about Manhattan and New Yorkers -" Annie Hall "," to Manhattan, "" Hannah and Her Sisters "- legendary titles and unclassifiable -" Zelig, "" Another Woman "- its ironic reflections on the couple - "Husbands and Wives," "Alice", "Melinda & Melinda" -, or artistic creation - "Bullets Over Broadwway" "Hollywood Ending" . There will be room for Allen's other passions, including music, which is represented by the documental "Wild Man Blues."

Actor, director, musician and writer, Woody Allen oft coined the phrase: "My brain is my second favorite organ." Beyond its no less popular neurosis, the story of his creative process is a movie plot itself. There are two interesting pieces that reflect the particularities of their way to make movies and share the title "Conversations with Woody Allen, the first signed by Jean-Michel Frodon , second, and most recently by Eric Lax certainly a privileged witness of the universe Allen has had access to filming, editing and tense moments art. Listen to the author's always a great way to dive into the internals of an operator, so is following the same route from a more objective point of view, as suggested in the text "In search of Woody Allen: Sex, death and culture his film ", or focus on one of the most celebrated aspects of his work: his ability to teach us to laugh at ourselves in " Woody Allen's humor. "

Woody Allen likes to surprise, for sure. Had a famous English actor that every day she was with him on the film set asked: ... "And you, what are you doing here?" leaving him completely baffled. We shall soon see if their work with Mrs Sarkozy, Carla Bruni, has been more than a coincidence deliberate from the media office of the French government, or if "Midnight in Paris" justifies the media controversy of the above and to its release. Meanwhile we can enjoy all these titles by the author New York have always wanted to review as they deserve: big screen and in the very heart of a great city.

More information: http://www.mcu.es/cine/MC/FE/CineDore/Programacion.html

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EIGHT AND A HALF in the Spanish Film Archive from December 4



The Doré film library, home projections of the English Cinematheque in Madrid, is run from December 4 EIGHT AND A HALF. A privileged place for literature in film, from magazines to scripts, not to mention monographs on directors and actors, testing prestigious festivals issues and disciplines transverse to the Seventh Art. The shelves of the new library will offer titles relevant publishers to continue the cinematic experience in programming proposal Doré, so that both moviegoers as cinéfagos and other species of fans have the opportunity to fully immerse themselves in the frame, even beyond the big screen ..

Alongside Doré activity, the library will be open from 17:30 to 22:00, Tuesday to Sunday. And any questions regarding the service, contact us by telephone 91 369 46 73.

More information: www.ochoymedio.com

Cine Doré. c / Santa Isabel, 3. 28011 Madrid. www.mcu.es / movies / MC / FE / CineDore / index.html

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doubts and hopes for the Second Forum on Cultural Industries in Spanish Film Releases


closed this afternoon the second annual meeting for analysts and media professionals from Spain and the United States , which aims to provide an overview of the entire value chain of creative and cultural industries (content, market, advanced technology, public and private entities), the conclusions on the future of the sector remain tentative. Organized by the Foundation

Alternatives and the Santillana Foundation, in collaboration with Latin American Studies Center of Miami and the National Museum Reina Sofia Art Center, the Forum had a previous edition held in 2008 in Miami, where he highlighted the importance of place in English cultural products on U.S. soil for increase its impact in many other markets. And in the same frame was continued debate about the existence of a Latino identity or diversity of identities united by the bond of the English language.

This time, after two days for debate on the reality of the cultural market in English that has had outstanding figures of our films, the publishing field, music, academia, y con gestores culturales y representantes políticos, queda claro que el audiovisual sigue siendo el gato al que nadie logra poner el cascabel. Mientras que las expectativas para el libro y la música empiezan a crecer, la tarta del cine sigue cruda.

Fernando Bovaira, director de MOD Producciones, ofreció cifras muy concretas sobre el mercado audiovisual internacional, poniendo especial hincapié en la difusión de nuestra cinematografía actual en EEUU. Horas después, la directora ejecutiva de Pragda , empresa radicada en Nueva York y especializada en mover el catálogo audiovisual español en Norteamérica, Marta Sánchez, afinaba todavía más el perfil del público consumidor English-language film: middle class, college educated, very varied origin (not necessarily Latin) and is also fond of American independent film. Sanchez noted that the penetration of English cinema in the U.S. adds more and more interesting figures but it is slow work, great support from the universities, many of which include the viewing of movies on the agenda of their language and culture departments English.

The event closed with the unanimous impression that speed to market, spurred by domestic consumption of new technologies, requires all actors in the value chain of industries cultural snap decisions. Because in two or three years the picture will be radically and permanently mutated.

More information: www.fundacionsantillana.com www.falternativas.org

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week

Hello friends,

every Thursday

As we echo the major developments that we English billboards bring from tomorrow.

Perhaps most important release, we never look down on others, is the highly-anticipated film by Mexican director Alejandro Gonzalez Inarritu, our actor international, Javier Bardem, in front of the cast. Biutiful , is the story of a broken man seeking redemption in their loved ones. The interpretation of Bardem won an award at the Cannes Film Festival, so we have another reason to go see it.

Another powerful release and will probably get good results at the box office is The Chronicles of Narnia: The Voyage of the Dawn Treader, next installment in the epic saga that will delight the moviegoers fantasy and adventure.

Nor

bad at the highlight of English cinema this week. 3 meters above the sky, tells the complicated romance between a girl and a macarrilla it will have to change to keep the girl. Starring Mario Casas and Maria Valverde, two promising young patriotic film, is the ideal choice for a movie with your partner.

also premiered the latest winner of the Golden Shell at San Sebastian. Neds, British filmmaker Peter Mullan, is a story about how difficult it is to be a teenager in an aggressive environment. Connor McCarron's performance also earned him the award in San Sebastian.

Finally, a premiere for the kids in 3D, Megamind, a super bright but bad luck. The DreamWorks Pictures film promises thrills and laughs in equal measure.

And that's all. Until next week.

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Ana Carril coach in "The protected" Mary Eliotz

Ana Carril (Master 09-10) has given an interview in which we discover some secrets of his job as coach in "Protected"

Central film: Could you explain what is your job?

Ana Carril: First, get the script and the preparation process is the same as you would take if you were to play one of the characters. That is, you read it, you analyze it, study each sequence to know where it comes from the character, where it goes and I scored very well the goals and emotional raccord. The difference is that instead of doing this work with a character, you do with all those who require coaching, thus training is enormous. This is the part of the work you do at home.
After that you will set and, according to the sequence you have to record that day, you'll meeting with stakeholders to move the text with them, review the raccord emotional, and other targets. Then the text is passed to the director, who then will explain how the sequence is raised at the technical level.
And finally, during the recording you make the more detailed work because you stay in combo with the director and you're looking shot to shot, making suggestions to improve the acting of the actors.

CDC Ever thought to work as a coach?

AC: The truth is I've never thought about working as a coach and I think is a great way of contact with the world of acting, but from another point of view.

CDC: What you see in the work of your colleagues who can help you as an actress?

AC: Every day you learn something new or reinforce what we already knew. The importance of a look or a small gesture, you know what you're working flat value, the relevance of the merger because it usually takes a long time between takes and easy deconcentrated or downloaded if the stream is strong emotionally. All this and I had taught at the Central in the Masters and now I have the opportunity to verify this. Above all, I think most importantly I'm learning at acting is how essential it is that an actor carries his homework done, you have made your previous analysis to be clear about what you want her character at all times. This greatly facilitates the work of all and also gives safety to the actor.

CDC: What's it like to work with a cast of actors as you have in the series?

AC: It's great because they are hard working and even though media as they are, do not lose the desire and enthusiasm for the job. They are concerned that your decision is well and that is fundamental for the series to go away and can provide quality offered.

CDC: What has brought your way through the Central?

AC: Plenty! And now more aware of it when I'm doing. First, the terminology, of course, that seems to fall drawer but it is not. You arrive the first day on set and may seem like you're in another galaxy if you know what a combo, or the naming of the levels of plans, or wildtrack, or a steady, imagine.
On the other hand, the analysis we did in the Central are the basis of my work today without them, I could not help the actors nor do my job. In the Central I learned to look at the work of an actor for camera, playing with my classmates in the Masters, and now that is what I apply daily in the shooting.
The truth is that everything I learned in the Master is present in my daily life: the importance of the gaze, the emotional and technical raccord, the search for the backbone of character to create consistent, which requires each sequence depending what kind of answer in the series, it is imperative to have a clear line of thought, how useful it is to know at what level you're working plan and know what things can be arranged in assembly but you're wrong during a take, knowing how to be in your plane and partner, working with the script with freedom and consistency, to value the task of each team member .... In short, a ton of things and all I have to thank the Central. Thanks! A big kiss, Ana Carril.

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presents its web

Eliotz Mary presents her website including videobook addition, sequences, monologues, resume and photos. In videobook alongside images of his last short sequences also appear featuring the work conducted in Central, running workshops for the Master who performed with Enrique Iglesias Vigil, Macarena Pombo and Patricia Ferreira.

Click on name to go to the website: Mary

Web Eliotz

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recommend "Carancha" by Pablo Trapero


The new Argentine cinema has given us in recent years some of the best English-language titles . Again comes to our screens a movie that we should not miss "Carancho" by Pablo Trapero. According

Diego Lerer us on the blog micropsia "Carancho is:
... a black police, pure and simple, that does not break the viewer, Carancho us into a situation that is extremely realistic, but imagine the stain of logic and seasonings of the genre, like a dirty version of the American police 70s. It is a film scorseseana (wild Streets Harsh Times, to Taxi Driver) in its combination of traditional and modern styling dash (the "rules" of the genre) and observation of the world (neorealism many).

Carancho is a movie as real as brutal, as near as far (that happens here, every day, near the home of each viewer, but it seems a world away), so daily as sordid. Trapero It shows also a strong narrative and details more traditional staging (pay attention to the amazing amount of sequence shots) remarkable.

Fatalistic, bloody, ruthless (perhaps too much) and violent Carancho joins the tradition of the police is doing Ricardo Darin. And maybe this is the toughest of them all, even more than the aura and not talk about the secret of his eyes. His face already has hit this depletion to the world: is as if the actor and the character they were pleading for someone get them out of there, urgently. And that should be Lujan character that Martina Gusman (who signs the film as executive producer), returns to shine as one of the best actresses of Argentine cinema, finding that elusive mixture of innocence and toughness, sympathy and fearlessness.

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LANKA video premieres Julio Galvez Sebastian Mascaraque

Introducing the new videoclip of Centralero Alan Cavalcanti (LANKA) with the participation of July centralero also Mascaraque, short / clip is called "Bad Blood" and was directed by Juan Marrero.

Click here to view the video "Bad Blood"

LANKA

Subtitle English Southpark

The centralero Sebastian Galvez who recently told us his experience in New York invites us to enjoy there Ménage à Trois, who stars in the show directed by Susan Batson on Broadway, which has extended the fall of the lineup until late December, with a special Christmas function on 25.

addition, Susan Batson has joined Studio, LLC. as a teacher and coach actors to motivate peers and share their experience on stage.

A successful start in the americas!

the news source: Entreactores

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On Broadway Belén López Valcárcel in Jacob's Ladder

The centralera Belén López Valcárcel is currently representing "Begging love" and "Carnivore" (Muaco theater) In Jacob's Ladder. Begging

love, is a hilarious comedy of heartbreak, which shows that torture and disappointment can cause a lot of laughter.

Antonia, who refuses to leave the sacristy, Richi is faced with the horror of a new birthday, Margaret and Bert are in the midst of a man trying to conquer club ten, waiting for the call Teresa perfect guy, Mila, a woman who lies to win the only man who could say I love you, Beatrice and Charlotte, drunk, telling truths and fists, Vicky cutting the brakes of the car of her husband, Kansas and Leslie, Louise, a sexy girl who became a 'housewife', Julia is removes the robe, all women who need love, they need to say I love you, you get nervous and cry, they need to say yes, girls, begging love.

After the success of 'Begging love' Muaco Theatre Company presents: Carnivores. If you are someone who swore eternal love, be faithful for life, if you're one of those "I love you forever" or "from here to eternity" ... the same change your mind. Would you dare to skip the rules? It takes great courage to leave someone. You will be moved.

The two works represented in Jacob's Ladder and can buy tickets at Catch

Where? Theatre Jacob's Ladder.
When? : Begging Love: Friday until 01/28/1911 at 22:30 and Monday 12.6.1910 at 20:30.
Carnivores: Saturdays until 29/01/1911 at 20:30 and Tuesday 12/07/1910 at 20:30.

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03/12/2010 Last day to share the obsessions of Fellini


went into the final stretch to enjoy the exhibition "The circus of illusions" , a journey through the life and work of the maestro Federico Fellini, legitimate author of the name of the library. Coinciding with 50 years of "La dolce vita", the movie that put his name on the cinema map international Caixaforum Madrid has brought a nutritious sample entering the final weeks of the exhibition, until 26 December.

Organized in collaboration with the NBC Photographie in Paris, the first leg of the English event with the teacher was Barcelona, \u200b\u200band had an extraordinary success. Comprising 400 pieces multidisciplinary, ranging from the first cartoon made on arrival in Rome to the drawings in advancing their ideas for movies, and of course frames, advertisements, and images of shooting or who performed the unique castings. Thematically structured around their obsessions, creative stages, influences, friends and enemies the show includes projections of his most important.

is precisely his role as an artist, now hidden by his genius as a filmmaker, which deeply divided over this proposal. Natural Rimini, Federico Fellini took to telling stories in pictures humor comics reading Americans, who by his own admission modeled their taste for the grotesque and fantasy. Born in 1920, reached the Italian capital in 1942 and found work as a commercial artist for a film company, occupation reconciled with writing scripts for editorial cartoonists and some collaborations. His debut director, along with Alberto Lattuada, was "Variety Lights (Luci del vaietá, 1950). This title marks the beginning of a full- filmography just-in lights and shadows on its independence and its ability visionary, whose splendor was fueled by movies like "La Strada" (1954), "La dolce vita" (1960) , "Nights of Cabiria (Le Notti di Cabiria, 1957)," Eight and a half "(Otto e mezzo, 1963) and" Amarcord "(1973), whose popular decline coincides with what for him were his films more personal: "And the Ship Sails On (E la nave va, 1983) and" Interview " (Intervista, 1987).

Share a day with his incendiary talent and legacy can be an excellent option to combat the winter chill in the room Caxaforum de Madrid (Paseo del Prado, 36). In addition, the center organizes a family workshop for contemporary art, "Fellini's Dream," during which children and adults can reinvent the characters in his movies in amazing settings and situations. The workshops end on 19 December.

More information: http:// http://obrasocial.lacaixa.es/nuestroscentros/caixaforummadrid/federicofellini_es.html www.ochoymedio.com