Thursday, October 14, 2010

Arte Italica Vs. Match

dances Earth, Part 3

By: Vivian Rodriguez Nohemi



earth element features:
3DA part


work with this element is what gives us strength of body and mind. We focused on the here and now pursuing such practices as Tai Chi Chuan, for example. Its energy can become somewhat dense, heavy, volatile people friendly but unfavorable for depressed, listless, lacking in vitality.

In general, the work being done in African is more likely to work to get benefits such as heat, concentration, containment, taking special care to work from positive emotions to achieve energy order: Catch missing and dosing if excessive or chaotic. Personally
I always work with dirt, all kinds. First, in order to warm the body and gives vigor to heat resistance and strength. Second, to clear the mind and achieve focus and from there open the game to other energy alone or in combination.


The following table attempts to summarize the emotions that arise in this item and was built from known concepts of therapy and Eastern philosophies and believe it is useful to examine personally, how's our connection with Earth.

The following table attempts to summarize the emotions that arise in this item and was built from known concepts of therapy and Eastern philosophies I think it is useful to examine personally, how's our connection with Earth.


STRENGTHS APPEARANCE NEGATIVE
Construyendo of the form y holds. ; Ahogado, aplastic numb, retiene, repress, oppress y compresses

Soundness Pereza
Tolerancia                                                           Inactividad

Permanencia                                                      Materialismo
Paciencia                                                           Inflexibilidad
Firmness ; ; Suppression
Albergue                                                               Sadness
Heat Hold

Privacy
Reflection
Concentration
Containment

Earth in African dance is linked to the tasks of everyday life, war, birth and death. Play usual household tasks (crushing, planting, harvesting, etc) celebrate a birth, initiations etc.
Dances In Orixás specifically, are linked to the classification made in the previous release (see Deliverable 2 of the course) going from a younger Earth, vital and upright represented Exu, the oldest represented the archetype of Nana, who dances very slowly and with the solar plexus rather inclined towards the ground. Orixás worth noting that generally participate in more than one item, for example Exu is Earth and Fire and Land and Water Nana is mud because they are generated the first forms of life, the earth which is our body and we finally blanket.


The different archetypes of Earth:

Orixá Land Type:
Exú The Land of Magic
Ogum The land of progress and conquest
Oxossi The land of plenty
Ossaim The land of medicinal herbs
Omolu , The land of ailments and cure
Nana Rotten earth, generating life. Ancestral
, The land of traditions.


HISTORY:
A long and painful journey from Africa:

The dances of the African continent as sacred and profane, came to America because of slavery. On slave ships traveling men, women, children from different ethnic groups and tribes, so the dance made-like customs, religion, ancestor worship, meals, etc-were varied but in many ways similar. However, some groups prevail over others, and the customs and cultures merged and interacted, creating new manifestations of the same spirit that united in grief and displacement.
So we can say that the African dances came to America from the second half of the sixteenth century, with the first contingent of slaves. (Note: for know the groups that arrived please consult: http://afefe-iku.blogspot.com/2006/06/las-naciones-africanas-en-brasil.html

must nevertheless be clarify that the term "African dance" was coined in the 1970's, when the dances of the black continent were re-discovered in France thanks to the constant work of the "African Ballet" of Fodéba Keita, a native of Guinea. In North America, a little earlier, in 1934 through the work of Assadata Dafora, Sierra Leone. So
was as dances originating in Africa, transformed and recreated to contact with other techniques, modifying, adapted to the stage. We should also mention, as the Africans influenced the creation of dances like the Charleston, rock and roll and more modern jazz, break dance, hip hop, etc and here in our country, in the Tango.
To expand on this topic please see the link http://www.daamu.com/pdf/danza-africana.pdf


Links:
For various African nations who came to America go to:
http://afefe-iku.blogspot.com/2006/06/las-naciones-africanas-en-brasil.html
African Dance, written by Anie Nganou
http://www.daamu.com/pdf/danza-africana.pdf



Author: Viviana Nohemi Rodriguez - Sacred Dance Blaster Yorubas,
This work is created under Creative Commons Attribution-Noncommercial 2.5 Argentina.
Reproduction in whole or part, extraction and / or use of paragraphs without citing a single source and author.
For questions write to danzasafro@ymail.com

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